![]() Most pilots struggle enough just trying to find time to fly. ![]() There are those that do watch videos on the computer, but smartphones have become the go to device for consuming content. Most of the content I consume is from my iPhone. Even when I do, I’m not using a desktop computer with a 4K monitor to do so. To be honest, I don’t use a computer to watch FPV videos anymore. While you could slow it down, it creates a stutter in your final video and takes the impact away. Remember that epic moment during your flight session that made your heart skip a beat? Those are the moments that you could highlight with a slow motion effect! But oops, you recorded in 4K, and are limited to just 30 frames per second to work with. Using the GoPro Session 5, shooting all your videos in 4K limits the use of options, such as a faster frames per second. This will result in the camera zooming in on that area to reduce the FOV. This mode will further focus more on the center of the content. Still has a fisheye effect, but because of the reduced field of view, this is minimized slightly. This mode will focus more on what is directly in front of the camera. This effect can be removed manually during editing, or can be left in if it’s the effect you are going for. This mode pairs well with all the widescreen formats, however, it will result in that famous “fisheye” effect that GoPro is known for. This is the mode that captures the most visual information in the front of the camera. GoPro has a couple of FOV options that you can select, some of which are specialty choices. What is field of view you ask? Well that is the amount of the area in front of the camera that it will capture, generally defined in degrees. However, for most people, 60 fps works just great.Īs you can see from the table above, there are quite a few options when it comes to selecting your field of view. What’s the perfect fps? Well that’s not an easy question to answer, as everyone perceives the “flicker” from video differently. Also keep in mind even when playing video at normal speeds, the more information available will make the image seem smoother to your brain. If you film at 120 fps, you can reduce that speed all the way down to 25% of the original speed. Keep in mind that you are limited by the resolution that you choose, as the camera can only capture so much information at one time.Īs an example, if you were to record a video at 60 fps, then you could slow down the video up to 50% and still maintain smooth video motion. If you anticipate having slow motion sections in your video, or you want your content to be super smooth, consider an increase in FPS. This can be of use to dramatically slow down or speed up the video. By changing the amount of frames that are captured each second, you can start to manipulate that video to play at the speeds you want. Standard movie film operates at 24 fps, while video operates at 30 fps. Video consists up of a series of still images that display quickly to trick your brain.
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